While reviewing some discussion threads over at Wittenberg Trail, a comment by Susan reminded me of my first experience singing Stephen Starke’s paraphrase of the Te Deum – “We Praise You and Acknowledge You, O God” (LSB 941). Susan wrote, “Go to Kramer Chapel and hear those men singing Starke’s Te Deum. When you can breathe again, you’ll want to sing it to.” That is exactly where I first sang it — at Kramer Chapel at Concordia Theological Seminary during Matins at morning Chapel — along with Susan, a number of other organists, and the seminary community.
Starke’s paraphrase of this early hymn of praise, with its rich language, and coupled with Gustav Holst’s tune Thaxted is a joy to sing. Granted, Thaxted is best known as the theme from Jupiter in The Planets. However, now when I hear Jupiter on KBPS 89.9, I start singing the Te Deum — I dare say not necessarily a negative association.
If you have never heard (or even if you have) Starke’s paraphrase, I have two audio recommendations for your listening enjoyment:
- Concordia Publishing House has released a festival setting for choir and organ (with optional orchestra) by Mark Bender. CPH has a complete performance with orchestra for listening on their product page. Even if your choir does not sing this setting, I would recommend your organist have a co
py of the choral score since the opening organ introduction is alone worth the $1.75 and would be a fitting hymn introduction. - The Kantorei of Concordia Theological Seminary concludes their CD titled “Te Deum” with a mostly a capella (last verse with organ and brass) setting by Thomas Lock. Full length audio is available for streaming at the Kantorei site. While the Bender setting pulls out all the stops, I would characterize the Kantorei’s performance of the Lock setting as “reverently triumphant”.
Now don’t get me wrong; I’m still fond of the Anglican chant setting of the Te Deum from TLH and will continue to sing it. Yet, Starke’s Te Deum is a worthy inclusion in Lutheran Service Book and I hope congregation’s will take the opportunity to learn and use it.
06/04/09 Update
Another choral setting of Starke’s paraphrase is by Charles Ore. It is set for SATB, organ, and brass. You can listen to it at the CPH website.
Check out the summer
04/08/2008 at 2:09 pm |
My choir is learning it.
They don’t much care for it–yet.
Too wordy, they say.
It is, a bit, and awkward.
That being said, it will grow on them.
But they are all women, and it’s a manly hymn.
(But I like it too.)