Put a group of church musicians in a room and you’ll probably see this:  camaraderie.   Whether it be old friends or new faces, a fellowship develops from a common musical bond and shared experiences.

Over the last few summers I’ve had the opportunity to attend the Organist Workshops at Concordia Theological Seminary.  It’s frankly amazing to see how a group of strangers from across the country, young and old, newbies and experienced, quickly become friends.  The sheet music starts coming out.  Music recommendations are bantered back and forth.  Stories are told.  Advice is sought.  We find that we are not alone.

To a certain extent, I think church musicians can get isolated in the parish.  Yes, the musician is usually well integrated in the life of the church, but he sometimes yearns for the collegiality of the fellow musician that understands things only another musician can fully understand.

There are a number of groups that helps foster these relationships like the American Guild of Organists and Association of Lutheran Church Musicians.  I think it would be great if the LCMS local Circuits and Districts would intentionally bring their musicians together to study, to sing, and to fellowship on a regular basis.  Some may already be doing this, but it isn’t widespread.

For me, this blog is a way to share my thoughts and experiences on my journey as a church musician.  Perhaps some of these things might resonate with you.  I’d welcome any thoughts and suggestions you might have in your journey.  God’s richest blessings to you.

This post was partly inspired by my reminiscing about the past workshops and also an e-mail from Steve, a fellow reader and musician with an organ music recommendation for Ascension.  I’ll leave you with Steve’s recommendation – Festival Alleluia by Dan Miller based on Lasst Uns Erfreuen.  Happy Ascension Day.