CPH is continuing its series “Musica Sacra” with Volume 7 by Donald Busarow. The Musica Sacra series is a great way to get some easier and quick pieces to prepare that are interesting. I have all 7 volumes and I consistently use all of them, but especially the volumes by Hildebrand, Kosche, and Culli. Just to be aware, I’d guess that roughly half of the compositions in Volume 7 are reprints of previously published pieces. I’m thinking that by the copyright date they are from the Concordia Hymn Prelude series which CPH is now slowly retiring.

The other selection I ordered was Kevin Hildebrand’s “Five Easy Easter Hymn Settings for Organ” . I know Easter is over and I won’t be able to use this set for another year — BUT it has a lovely setting of Duke Street which is appropriate for funerals throughout the year.

If you’re in the market for some sacred music, give the folks at CPH a try. They have an abundance of resources — especially for the Lutheran musician. But if you want Paul Manz, Michael Burkhardt, or some of Robert Hobby’s pieces, you’ll need to head over to MorningStar Music.

Thanks for reading New Music from CPH.

Thanks for reading Church Music Workshops.

What’s happening this summer?  The Church Music Workshops at Concordia Theological Seminary – Ft. Wayne, IN.  This year there are opportunities for organists, AND choir directors, AND handbell directors/ringers.  In other words, bring the whole crew.

These workshops are an excellent opportunity for fellowship, refreshment, and growth.  I’ve attended twice over the last few summers and they were great experiences.  See my previous reviews here and here.

• If you’re a musician, consider attending.
• If you’re a pastor, ask your musician(s) if they would like to attend.
• If you’re a lay person, offer to send your musician.

The following information is provided by Kantor Kevin Hildebrand:

Our two workshop weeks include our annual Primer Level organist workshop (June 15-19, 2009), designed specifically with the novice organist in mind.

This year we are also offering a new Church Music Week workshop (June 22-26).

Church Music Week is a Level One organist workshop, with the addition of sectionals for choir directors and handbell directors.  The purpose of this new workshop is to provide a practical and resourceful place for all church musicians to study and grow together.  All participants will begin the day with a group class in theology.  The “hands on” part of the day will provide sectionals for organ, choir, and handbells, each with their own instructor.  Regular practice time for organists will be included as usual.

We are hopeful that many organists, choir directors, and handbell directors from the same congregation will attend Church Music Week together in order to foster their musical skills and theological sensitivity.

If you have any questions about you or others participating in this year’s workshops, please feel free to contact me directly.  Please also forward this information to other church musicians both in your congregation and neighboring congregations. I look forward to hearing from you.

Sincerely,

Kevin Hildebrand
Concordia Theological Seminary

Kevin.Hildebrand@ctsfw.edu

Thanks for reading Church Music Workshops @ CTSFW.

If you’ve never heard the hymn, here is a video of a setting written by K. Lee Scott.  The setting is available from CPH and performance scores are available for the optional instrumentation.  Enjoy!

Thanks for reading Joy to the Heart.

If you order, make sure you use the code: MANZB20

In Singing the Faith: Living the Lutheran Music Heritage by the Good Shepherd Institute, the study guide says the following about Manz.

In a way that has not been surpassed in the late twentieth and twenty-first centuries, Manz improvised hymn introductions and accompaniments that underscored the meaning of the hymn texts, thus enlivening the proclamation of the Gospel in hymn singing at both liturgical services and in hymn festivals.  Manz published and recorded many such improvisations for the use of organists and for the listening pleasure of all who love hymns and organ music.  Younger generations of Lutheran composers and organists who have been inspired by Manz include (to name only a few) Jeffrey Blersch, Michael Burkhardt, David Cherwien, John Ferguson, Kevin Hildebrand, and Robert Hobby.

Thanks for reading Paul Manz at 90.

The sermon was never preached, although it had been written.  Over the years I’ve read and reread that sermon.  This sermon wasn’t intended to be a “farewell”.  Yet, it has provided me comfort then, as it still does today.

As my dad reflected on the message the angel Gabriel gave to Mary, he wrote:

It is truly wonderful.  God would become flesh.  This “Son of the Most High” would deliver us from the power of sin, death, and the devil, and give to us a kingdom that is forever.  Though King Herod would try to kill this baby Jesus, he would live that he might suffer and die for the whole world.  May our hearts praise God as those of old did.  God be praised for giving us a Savior.

I think my dad would have gladly joined in on that Advent Sunday with these words of Paul & Ruth Manz.

Rejoice in heaven all ye that dwell therein, Rejoice on earth ye saints below, For Christ is coming, is coming soon, For Christ is coming soon!

E’en so, Lord Jesus, quickly come, And night shall be no more; They need no light nor lamp nor sun, For Christ will be their All!

Thanks for reading Fourth Sunday in Advent.

And after reading this chapter, what do I remember? This practical bit of advice from Luther regarding the starting pitch of a song: “No one should try to sing such a song in a higher key, for he will surely become hoarse and make a botch of it before he reaches five notes.” Thus saith Luther.

Thanks for reading Singing Advice from Luther.

I’ve been waiting for some to write this blog post, but was waiting for the new semi-annual installment of His Voice to be published by the Good Shepherd Institute at Concordia Theological Seminary. I knew it had to be coming in either March or April and it was posted on the GSI website today. Definitely visit their website and download the latest version (in PDF). For that matter, why not download all five issues (current and the last two years)?

His Voice is a wonderful resource for those interested in the current events of the Good Shepherd Institute and provides:

• Recommended Pastoral Resouces – Reviews by John Pless
• Recommended Choral and Organ Music – Reviews by Kevin Hildebrand
• Recommended Reading and Listening Resources – Reviews by Daniel Zager

I have a great amount of respect for the GSI and take their recommendations seriously. My personal library is a reflection of this.

Highlights from the April 2008 edition include the topic of the 2008 Annual Conference, notification of the release of the “Singing the Faith: Living the Lutheran Music Heritage” DVD, and comprehensive music suggestions for Pentecost and Trinity 2008 by Kevin Hildebrand.

For those of you unfamiliar with the Good Shepherd Institute of Pastoral Theology and Sacred Music for the Church, it is “dedicated to hearing and discerning the clear voice of Jesus Christ, the Good Shepherd, through preaching, historic liturgies, substantive catechesis, and hymns that communicate faith in Christ in the church’s trinitarian teaching and worship.” You can learn more about their mission and vision by going here.

They have a number of resources available including published journals from their annual conferences and a book on the life of Walter Buszin.

The Good Shepherd Institute is a blessing to the church. Thank You!

Thanks for reading His Voice – Newsletter of Good Shepherd Institute.

Thanks for reading Dare to Be A Lutheran Choir.

Take for example this last Sunday – The Baptism of Our Lord. The “official” Hymn of the Day from Lutheran Service Book was Luther’s wonderful baptism / catechism hymn “To Jordan Came the Christ, Our Lord” (LSB 406/407). How many of our Lutheran congregations sang this hymn? My congregation didn’t, but they did get to hear an organ prelude by Zachau.

Lutheran Service Book has made an attempt to make some of these unsung hymns more accessible. In addition to the tune Christ, Unser Herr typically associated with “To Jordan Came the Christ, Our Lord,” LSB also has a new tune Elvet Banks. This last tune also happens to be paired with another of Luther’s hymns “May God Bestow on Us His Grace” (which happened to be the Office Hymn for Morning Prayer at Concordia Theological Seminary on 1/16/08). There are a number of other hymn texts in LSB that have been paired with “new” tunes in hopes they get sung more frequently.

Here’s my plea:

Dear Choir Directors and Choirs – Take the time to learn unfamiliar hymns and gradually share and teach them to your congregation. See my previous post on The Lutheran Choir.

Dear Organists and Instrumentalists – Take the time to learn chorale preludes on unfamiliar hymn tunes and introduce the tune over several weeks or months in different parts of the service. You are preparing the people.

Dear Pastors – Take the time to talk to your parish musicians about choosing hymns. Don’t shy away from a hymn because it is difficult or unfamiliar. Your musicians are valuable assets in introducing and leading the people’s song.

Dear People in the Pews (and Choir Directors, Choir, Parish Musicians, and Pastors) – Take the time to read and meditate on the hymns in the hymnal – at home and church. Deepen your familiarity with the church’s song by listening to CD’s that focus on this hymnody. For example:

• Martin Luther: Hymns, Ballads, Chants, Truth
• Concordia Theological Seminary Kantorei
• St. Paul’s Lutheran Church Children’s Choir
• Hymns for All Saints
• Paul Manz Hymn Improvisations

All of these resources should be available by contacting the Concordia Theological Seminary Bookstore at CPHBookstore@ctsfw.edu. Many are available by contacting Concordia Publishing House.

Blessings as you grow in your understanding of our rich hymnic heritage.

Thanks for reading Singing Difficult Hymns.