Tag Archives: MorningStar Music

Helping Your Congregation Sing

Sometimes church musicians get so caught up with making music, whether that be choral or instrumental, that they neglect or minimize (often unintentionally) their primary responsibility — leading and encouraging the people’s song in psalmody, liturgy, and hymnody.  I remember being told (by my father no less) that while I might be able to play a very nice prelude, I should strive to be a good leader of hymn singing.

Mark Lawson, president of MorningStar Music, reflects on the importance of congregational song to Richard Proulx and Richard Hillert in the March edition of their e-newsletter.  Special thanks to MorningStar Music for granting permission to post this article.

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Paul Manz at 90

Paul Manz is turning 90 in May and MorningStar Music is having a 20% off sale during April and May 2009 on ALL Paul Manz items – choral & organ music, CDs, and the recent biography “The Journey Was Chosen”.  This is a great opportunity to fill in the gaps in your sheet music collection.  You can read more by downloading their April newsletter.

If you order, make sure you use the code: MANZB20

In Singing the Faith: Living the Lutheran Music Heritage by the Good Shepherd Institute, the study guide says the following about Manz.

In a way that has not been surpassed in the late twentieth and twenty-first centuries, Manz improvised hymn introductions and accompaniments that underscored the meaning of the hymn texts, thus enlivening the proclamation of the Gospel in hymn singing at both liturgical services and in hymn festivals.  Manz published and recorded many such improvisations for the use of organists and for the listening pleasure of all who love hymns and organ music.  Younger generations of Lutheran composers and organists who have been inspired by Manz include (to name only a few) Jeffrey Blersch, Michael Burkhardt, David Cherwien, John Ferguson, Kevin Hildebrand, and Robert Hobby.

Paul Manz – A Life Revealed

If you are a parish organist, you are probably familiar with the organ music of Paul Manz. If you are not a parish organist, you are unknowingly aware of Paul Manz via your organist who probably has used his hymn improvisations in worship services.

Up until recently I was puzzled why Concordia Publishing House had published so much of Paul Manz’s organ music in the 1960′s, 70′s and 80′s and now MorningStar Music publishes all of the organ volumes (re-edited in topical editions). What would cause the transition of publishers? Especially given the quality of Manz’s music.

Paul ManzI learned the answer, or at least someone else’s explanation, after reading “The Journey was Chosen: The Life and Work of Paul Manz ” by Scott Hyslop and published by MorningStar Music. Hyslop writes,

“For reasons seemingly bizarre and politically motivated, Concordia Publishing House came to a decision that they would no longer print music written by Manz and then started to systematically put much of what he had written out of print. . . In the end the Manzes were able to purchase back all of the copyrights to Paul’s music and move those titles to Morningstar.” (Hyslop, 71)

Reading this biography provided a historical background to the theological and political issues in the American Lutheran churches during the 1960′s-1980′s. And Paul Manz was in the midst of this as he served as a composer, teacher, and performer. Since I was born in the tail end of the 70′s, this is all “history” to me.

I enjoyed this biography because it provided a glimpse into the challenging and creative life of one of the great organists of the 20th century. It adds a dimension of understanding as I practice and listen to his compositions.

When Paul Manz was asked to give one piece of advice to someone venturing into church music, he said, “Love the people you have been called to serve.” These are good words for any church musician.

Improvisation for Organists

My previous post on hymn introductions (aka Invitation to Sing) got me to thinking about improvisation. To the average organist, it may sound like a daunting task or something that only “experienced” organists can do. You may be thinking, “I’ll stick to playing what’s on the page.” Let me tell you fellow organists: you too can improvise.

Jan Bender, in his book “Organ Improvisation for Beginners” offers the following on the benefits of learning how to improvise:

What is improvisation good for? There are many answers, and I will try to name some of them. The first one is very practical: One does not need to handle so many books. . . . Second: Improvisation is an outstanding discipline to develop and train memory as well as intelligence. . . Third, again a very practical reason: It is fun and very satisfying. Last but not least: When it is done well, improvisation contributes to the dignity of the worship service and to the praise of God.

Bender’s book, while good, requires a working understanding of music theory and harmony.

Off the PageA resource I received as a Christmas present is “Off the Page: Tips & Techniques for Creating Hymn-Based Organ Settings” ($38.00) by Donald Rotermund and published by MorningStar Music Publishers. If you can play a hymn from the hymnal, you can improvise. Rotermund shows you step by step a number of different techniques (e.g., Echo Phrases) that you can practice and use together to create things like a hymn introduction, prelude, or partita. There is even a CD that gives an audio demonstration of each technique. This is an extremely accessible and useful resource for the church organist.

What I find particularly satisfying about this book is how the musician is just using the music in front of them in the hymnal. The book assumes the reader has a limited background in music theory and keyboard harmony and little improvisational background, BUT the willingness and desire to spend some time practicing and becoming comfortable with the techniques. Rotermund also shows you how to mark your hymnal so you can recall your plan of action while at the organ console.

If you are really interested in learning to improvise, another resource is the Improvisation Organist Workshop at Concordia Theological Seminary in Fort Wayne, Indiana, by Kantor Kevin Hildebrand. His workshop covers many of the same techniques as in “Off the Page” — some of the material from “Off the Page” was field tested in Hildebrand’s workshops. If you have the opportunity to attend the Improvisation or another workshop, take advantage of it. You will learn a lot and meet some great people. Each summer has a different selection of workshops – you will need to check with the Seminary to see what workshops will be offered in 2008. You can read my “testimonial” here.

Best wishes as you serve God’s people through your service playing.