I recently discovered Southern Lutheran Kantor who has some thoughtful and extensive commentaries on a number of hymnic treasures – Including “Lord, Thee Will I Love With All My Heart.” This is a wonderful hymn to be sung at a funeral (particularly stanza 3). At most any funeral I will without doubt play an organ chorale prelude on it even if it is not sung.

Another blogger I follow is Vicar Josh Osbun at Holy Holy Hymnody. He has reviewed a number of Stephen Starke hymns. Josh has also tackled the questionable, bad, and ugly of hymnody — past and present. By the looks of it, he has an extensive hymnal collection.

If your church uses Lutheran Service Book or Hymnal Supplement 98, it’s likely you have become acquainted with some of the hymn texts of Stephen Starke. He has his own blog starke Kirchenlieder where he provides occasional brief commentaries, but generally just posts of some great hymn texts by himself and others.

Thanks for reading Diving into Hymnody.

While listening to my Christmas iPod playlist, I came across a recording of a delightful hymn setting of O Sing of Christ that I discovered a few years back.  After a little bit of Internet research I found the source of it — Outer Rim Territories.  The setting is by Kevin Hildebrand and is a rehearsal recording of one of the seminary choral groups.  You can even sing along if you like.

As a hint to the organists out there, Hildebrand’s instrumental introduction has been set for organ in his volume of Christmas music — Bethlehem’s Rose.  Though, I’m not sure how many “average” organs have a Flute 2′ in the pedal division (unless you couple a 3rd manual with a 2′ stop to the pedal or you are playing the Kramer Chapel organ).

Todd Wilken with Issues Etc interviewed Stephen Starke about this hymn on December 21, 2006.  The interview is archived here — just ignore all the references to supporting Issues Etc. via KFUO and the Reformation Club — to support Issues Etc., go here.

Thanks for reading O Sing of Christ.

Starke’s paraphrase of this early hymn of praise, with its rich language, and coupled with Gustav Holst’s tune Thaxted is a joy to sing. Granted, Thaxted is best known as the theme from Jupiter in The Planets. However, now when I hear Jupiter on KBPS 89.9, I start singing the Te Deum — I dare say not necessarily a negative association.

If you have never heard (or even if you have) Starke’s paraphrase, I have two audio recommendations for your listening enjoyment:

• Concordia Publishing House has released a festival setting for choir and organ (with optional orchestra) by Mark Bender. CPH has a complete performance with orchestra for listening on their product page. Even if your choir does not sing this setting, I would recommend your organist have a copy of the choral score since the opening organ introduction is alone worth the $1.75 and would be a fitting hymn introduction.
• The Kantorei of Concordia Theological Seminary concludes their CD titled “Te Deum” with a mostly a capella (last verse with organ and brass) setting by Thomas Lock. Full length audio is available for streaming at the Kantorei site. While the Bender setting pulls out all the stops, I would characterize the Kantorei’s performance of the Lock setting as “reverently triumphant”.

Now don’t get me wrong; I’m still fond of the Anglican chant setting of the Te Deum from TLH and will continue to sing it. Yet, Starke’s Te Deum is a worthy inclusion in Lutheran Service Book and I hope congregation’s will take the opportunity to learn and use it.

06/04/09 Update

Another choral setting of Starke’s paraphrase is by Charles Ore.  It is set for SATB, organ, and brass.  You can listen to it at the CPH website.

Thanks for reading Te Deum at Kramer Chapel.